Sorry! Your browser is not compatible with our stylesheets.
We recommend that you download the latest version of Internet Explorer, Opera, Netscape/Mozilla/Firefox or Safari (Macintosh) to view the site as it should be. In the meantime the pages are laid out so that they can be read without formatting.


Online Store
White Dwarf
Events & Community
News
The Lord of The Rings
Warhammer
Warhammer 40,000
Moria
- Welcome! Please Login
specialist games | shopping | your site | site map

They Have a Cave Troll
PAINTING THE CAVE TROLL

This 'Eavy Metal Masterclass tells you how Tammy Haye painted the Cave Troll that menaced The Fellowship of The Ring in Balin's Tomb.

Click to Enlarge Most of these images can be clicked on for an enlarged version.

The first stage was to pin the model's body to its legs and the head to the body. The arms were double pinned for extra support. Green Stuff was then applied to any gaps where the components met. Chaos Black undercoat was sprayed over the entire model, followed by watered down Chaos Black being painted into any area the spray didn't cover.

PAINTING THE MODEL

Click to EnlargeA base tone mixture of equal parts Shadow Grey and Chaos Black, plus a small amount of Dwarf Flesh, was painted over the whole model.

Concentrating on the largest part of the model, which on the Cave Troll is the skin, it was highlighted by simply adding a small amount of Dwarf Flesh to the original base tone. This highlight stage was painted by following the skin lines on the model, continuing to add more Dwarf Flesh to the mix and painting on successive highlights four or five times. By the final highlight, the mix had turned from a dark bluish grey to a light grey simply by adding Dwarf Flesh.

Click to EnlargeThe basecoat colour for the chest and inside skin sections of the Cave Troll's arms was painted with a mixture of equal parts Dwarf Flesh and Shadow Grey. This base tone colour was blended where it met with the skin areas which had been painted earlier.

This colour was also used to paint the larger recesses between the scales on the Troll's back.

Click to EnlargeA small quantity of Bleached Bone was added for the next highlight stage and this was painted on by following the folds of flab. More Bleached Bone was added to the mix for each successive highlight.

Black Ink was used to glaze the hands, feet and head of the model, blending the ink in where it met with the skin. This was done by simply watering the ink down to approximately five parts water to one part ink before applying it to the area to be blended.

FINE DETAIL

Click to EnlargeClick to EnlargeThe cracked leather skin was initially painted with an equal quantity mix of Codex Grey and Chaos Black. This was carefully drybrushed over the cracked skin, without going into the cracks. A small quantity of Bleached Bone was added to the mix which was then painted onto the edges of the skin. Finally the very edges of the skin were highlighted with Skull White.

The loincloth was painted with a basecoat mix of Bestial Brown and Chaos Black. Small quantities of Fortress Grey were added for each successive highlight. A wash of equal parts Brown Ink, Black Ink and water was applied to the cloth. The clasps were painted with Tin Bitz and given a highlight of Boltgun Metal.

Click to EnlargeThe hammer and chain was given a drybrush of Tin Bitz followed by a second, light drybrush of Boltgun Metal. It then received a wash of watered down Chestnut Ink and Black Ink mix. Some of the links on the chain were given a highlight of Burnished Gold.

FINISHING TOUCHES

Troll EyeThe eyes were painted with Chaos Black first. This was then painted over with Bleached Bone, leaving a thin outline of black around the edges of the eye. Next, a thin line of Chaos Black was painted down the centre and a second line was painted inside this with a mix of Regal Blue and Bleached Bone.

Click to EnlargeThe nails were painted with a Bestial Brown basecoat. These were highlighted with an equal mix of Bestial Brown and Bleached Bone before being given a final highlight of Bleached Bone. These were then given a Brown Ink wash and, while the ink was still wet, a highlight of Bleached Bone was painted on to create a blended effect. The Troll's teeth were painted with Bleached Bone on its own.

Sand was glued onto the base with PVA and then, once dry, given a Brown Ink wash. This was drybrushed with a mix of Snakebite Leather and Fortress Grey and finally flocked with static grass.

Related Articles:
Painting The Balrog | Painting Durbûrz
Daren Parrwood's Light-Up Balrog | The Cave Troll Miniature

Horizontal Rule

TopGo To Top | GW Online > The Lord of The Rings > Moria > Painting a Cave Troll
Games Workshop | Legal | Privacy Policy | Careers | Contact | Help | Accessibility | GW Portal
GW
 

Copyright © Games Workshop Limited 2008 excepting all materials pertaining to the New Line theatrical productions: The Watcher logo, The Fellowship of the Ring; The Two Towers; and The Return of The King which are © MMVIII New Line Productions, Inc. All Rights Reserved. The Lord of The Rings, The Fellowship of The Ring, The Two Towers, The Return of The King and the names of the characters, items, events and places therein are trademarks of The Saul Zaentz Company d/b/a Tolkien Enterprises under license to New Line Productions, Inc. and Games Workshop Ltd. All Rights Reserved. Games Workshop, the Games Workshop logo, Warhammer and the Warhammer 40,000 device are either ®, TM and/or © Games Workshop Ltd 2000-2008, variably registered in the UK and other countries around the world. All Rights Reserved.




Utilities
  •  
  •  
  •  Printable Page